Salle Pleyel, where the LA Phil played its two concerts in Paris, and where LA Phil Associate Conductor Lionel Bringuier grew up going to concerts while studying at the Conservatoire National Supérieur de Musique de Paris.
I’m really excited to be here with the orchestra! Four years ago I came from Paris to Los Angeles and was hired by the orchestra as Assistant Conductor. Later on that season, I happened to be in Paris during their tour in November 2007, and was incredibly happy to see my new family on stage in Salle Pleyel. Now, it is with much joy that I am here again with the orchestra as Associate Conductor and to see them perform on this stage.
Bonjour from Paris! This is day 14 of our 20 days away from Los Angeles. For those of us who have been in the orchestra for several years, there is a familiarity with performing in this city.
The LA Phil rehearses at the Salle Pleyel in Paris.
In 1996, the year I joined the orchestra, we had a one-month residency which reignited the push to build Walt Disney Concert Hall. We performed the Rite of Spring with Esa-Pekka and the Paris audience absolutely loved it. The Rite went on to become one of our signature pieces, which we later performed for the opening concert at Walt Disney Concert Hall.
In 2007 we played at the Salle Pleyel and stayed in the same hotel as we are currently in. We performed the Sibelius symphonies with Esa-Pekka.
Toby, my husband, has just arrived in Paris for the remainder of our tour. He refers to himself as the "trailing spouse" - those husbands, wives, partners, and significant others who accompany orchestra members during tours. They have the advantage of enjoying all the sights, sounds, and tastes of the cities we travel to, but without the added responsibilities of performing. We have a number of family members with us on this tour; the European cities we are visiting this time are hard to pass up.
The LA Phil arrived in Paris on Saturday and plays its second concert tonight, has a long-awaited free day tomorrow and leaves for Budapest on Wednesday.
The last time Toby was in Paris with me was during the Philharmonic's residency here in 1996. We had been married just 3 years and reveled in the romance of the city.
(Note: This post is by Gretchen Nielsen, the LA Phil's Director of Educational Initiatives. These are her thoughts on a rehearsal led by Gustavo Dudamel for an orchestra of young musicians involved in community music projects in east London, alongside several members of the LA Phil and the LSO. These students participate in programs similar to the LA Phil’s own Youth Orchestra Los Angeles and the El Sistema program in Venezuela.)
I write this post from the Eurostar on the way to Paris…
Gustavo demonstrates the technique he wants to see from the young musicians while they play the last movement of Beethtoven's Seventh Symphony.
We're flying from Cologne to London as I write this. The two concerts in Cologne went well - we received a very warm reception from the audiences. And, of course, it's hard not to like a concert hall when they hand you a glass of beer as you walk offstage after the concert. We celebrated Gustavo's 30th birthday with a post-concert bash until late into the night - good times on this tour so far!
(Note: Now that the tour has reached the halfway point, we thought we'd ask LA Phil Orchestra Personnel Manager Jeffrey Neville to weigh in with a "behind-the-scenes" view of the tour so far.)
It’s 11:30am on Wednesday morning, Gustavo’s birthday, Our performance of Mahler’s Symphony No. 9 at the Philharmonie in Cologne is just hours away. One of the largest repertoire pieces as far as personnel goes - 106 players strong. "All hands on deck," as they say. My phone rings and a voice on the other end says, “I’ve been up all night, I’m sick and I don’t think I will be able to play tonight.”
LA Phil Orchestra Personnel Manager Jeffrey Neville shows off the perfect combination of charm and managerial savvy that lets him get the job done while on tour.
Violinist Johnny Lee and Associate Concertmaster Bing Wang (right) at Music Director Gustavo Dudamel's 30th Birthday Party in Cologne, Germany -- right after the LA Phil finished a command performance of Mahler's Ninth Symphony.
We played our second concert in Cologne on January 26, which happened to be Gustavo's 30th birthday. This is simply incredible. How many professional orchestras get to celebrate their Music Director's 30th birthday? All of us knew it was a very special day and it's wonderful to be back at the Cologne Philharmonie on this memorable occasion.
A view from the Plaza a Luis de Camoes in Lisboon - watercolor painting by Caitlin Heimerl.
On this tour, I'm traveling with my niece, Caitlin Heimerl. She is a recent graduate of Rhode Island School of Design, and she is loving the opportunity to paint in all of the beautiful cities we are visiting on this tour.
After visiting the castle in Lisbon, we found the Plaza Luis de Camões and stopped to paint as the sun was setting.
In Madrid, after a morning at the Museo Nacional Centro de Arte Reina Sofía, which houses Picasso's "Guernica," and a walk through the cobblestone streets of the city, we found a lovely fountain on Paseo del Prado. In spite of the cold, Caitlin pulled out her watercolors to paint there in the early evening.
In the context of orchestral trumpet playing, "rotary" refers to a specific style and design of trumpet. Rotary trumpets (named for a particular type of valve construction) are typically used in German and Austrian orchestras rather than the piston trumpets we use in the U.S. They look and are played a little differently than "normal" piston trumpets. In fact, audience members often ask us why we're holding our instruments sideways.
Chris Still, of the LA Phil trumpet section, shows off a rotary trumpet, which is normally used in German and Austrian orchestras and thus was the perfect instrument to bring along on this tour.
We flew in this morning to Cologne, Germany and the pedestrian shopping district between our hotel and the Kölner Philharmonie is bustling with shoppers. Signs in most of the shop windows shout, "ALLES REDUZIERT!" (Everything reduced!). Even the trendy store, at home known as "Forever 21," is reduced to being called "Forever 18".
A lineup at the ticket window for a chance to buy one of about 100 tickets that went on sale the day of each of the LA Phil's two concerts at the Kölner Philharmonie. Percussionist Perry Dreiman spoke to two fans who waited for hours, but were able to get tickets to see the first concert.